ST. LOUIS – Art historians are calling it the holy grail of a find, a rare work of art found in a St. Louis front yard. What looked like a lawn ornament is now headed to a museum in New York.
It’s a sculpture of two sisters that sat in the front yard of a St. Louis home that’s been on quite a journey. First rediscovered in 2019 by a gentleman named John Foster, an art historian.
For years the sculpture entitled “Martha and Mary” sat on a bench in the city of St. Louis before an art historian saw it while out on a stroll.
“That didn’t look like the commonly seen concrete lawn ornament that we are used to seeing,” said Valerie Rousseau, senior curator American Folk Art Museum & Exhibition chair.
Sally Bliss had inherited this Martha and Mary sculpture, and it sat outside her home in New York when she was a ballet dancer. Years later after her first husband died, she moved to St. Louis when she met her second husband, Jim Connette.
“I had it and put it out in my garden in Long Island, which was our main house, and brought it with me and put it on the bench,” Bliss said.
“I knew it was valuable. But I knew that nobody would steal it because it looked like it was part of the bench and would be really difficult to pick up that bench and steal the whole thing.”
This lawn sculpture was originally made by artist William Edmondson, the famed black sculptor from Nashville, Tennessee.
The ‘two sisters’ sculpture had been featured at the Museum of Modern Art in 1937 in New York and later Paris, France.
Today, William Edmondson is considered a preeminent black sculptor, although he didn’t start sculpting until 1934 when he was 60 years old, and only made 300 sculptures over the course of 15 years.
Using limestone from demolished buildings.
“Like most museums, we have to have supporters to acquire such artwork,” Rousseau said. “Prices for Edmundson sculptures can be $350,000 to $800,000.”
And after some conversations and a cleaning, Martha and Mary are headed back to New York. This time, the sculpture will be the centerpiece of the American Museum of Folk Art. Debuting this January on the celebration of the museum’s 60th year.
Thanks to the generosity of a man named Brian Donnelly, this sculpture and its wild ride of a story will reside in the Big Apple.
“I was sad,” Bliss said. “But I knew that this was the right place for it to go and especially to New York and so many people will see it and he will get his due and to me, that’s more important than me having to be sad because I’m losing that work of art.”